My book is about Ruth Asawa, but she was not the only artist or even the only female artist imprisoned because of her Japanese ancestry during World War II. Currently an exhibit at the Smithsonian that runs through August 17, 2025 features the artwork of three Japanese-American painters, all of them women: Miki Hayakawa, Hisako Hibi, and Mine Okubo. The New York Times carried a review of the exhibit by Aruna D'Souza. I was fascinated by the painting Wind and Dust by Mine Okubo. This painting was created at the prison she was sent to in Topaz, Utah. This camp was notorious for the bleak, windy conditions, which she captures with the unadorned barracks surrounded by beige sand without a single tree or blade of grass in sight. But what I am drawn to in the painting is the image of the family all holding onto each other, rollled up into a ball while the winds of fortune buffet them on all sides. The figures' closeness shows the way family bonds functioned to protect people, but simultaneously their defensive postures illustrate the fragility of those bonds under massive duress. The three individuals do not look at each other. They are just trying to survive.
Ruth Asawa was incarcerated in Arkansas, not Utah. Okubo was already an accomplished artist when she was imprisoned, but Ruth was just a highschool student. Ruth did not create paintings of the camps. However, after being imprisoned behind barbed wire, she chose wire as her favorite medium. With wire she wove her mysterious sculptures that cast mesmerizing shadows on the walls.
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![]() I want to share this article by Dan Rather about Mitsuye Endo who just received the Presidential Citizens Medal posthumously from President Biden. Like Ruth Asawa, Mitsuye Endo was incarcerated in a detention camp as a young woman. She became the plaintiff in a law suit brought by the Japanese American Citizen's League that challenged the legality of this incarceration. After she won her case, most of the camps were closed. I hope that my book, A Line Can Go Anywhere, brings attention to the injustice of Executive Order 9066 at a time when politicians are talking again about mass detention and the incarceration of families. Ruth was resilient, but she experienced heart rending family separation. Her father was sent to a separate prison from the rest of the family because the government viewed him as suspicious. His leadership in the small Japanese American community of Norwalk was his only "crime." Ruth did not see him for five years. Her mother did not speak English and it was up to the children, Ruth and her siblings, to write to government authorities to try to find her father and reunite the family. Ruth was also separated from her younger sister, who had been sent to Japan before the war to visit family. My big news is I have a new book coming out in February 2025. Here is the notice from the Rights Report. Kate Jacobs while at Roaring Brook bought world rights to Sculpting a Life: The Story of Ruth Asawa, written by Caroline McAlister (l.) and illustrated by Jamie Green (Mushroom Rain); Emily Feinberg will edit. The picture book biography traces budding artist Asawa's journey from a Japanese American Incarceration camp to the legendary Black Mountain College, and, ultimately, to the creation of her iconic woven wire sculptures. Publication is set for 2025; Jennifer Mattson at Andrea Brown Literary Agency represented the author, and Chad W. Beckerman at the CAT Agency represented Green. Since the rights report came out, we have changed the title to “A Line Can Go Anywhere:” The Brilliant, Resilient Life of Ruth Asawa.
I am super jazzed about working with Jamie Green who illustrated the amazing Mushroom Rain. Check out Jamie’s work here: https://www.jamiegreenillustration.com/ Here are a couple of samples of what Jamie is planning for the book. |
Caroline McAlisterCaroline is an avid reader, children's writer, and teacher. She lives in North Carolina with her husband and dog. Check out her bio for more! Archives
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